Photo by Rebekah Halls
Fast Fashun is an experimental art collective from Naarm (Melbourne) creating large-scale installations, performances, and public interventions that unravel the threads of consumer culture through satire, spectacle, and sustainability.
Fast Fashun comprises of core members Teneille Clerke and Famous Artist Sebastian Berto and is supported by a wider artistic network of creatives and community members. The collective uses fashion waste as both material and metaphor – turning the remnants of the fast fashion industry into participatory worlds where audiences cut, rip, pin, and strut their way through the ruins of excess.
Fast Fashun’s work sits at the intersection of theatre, visual art, and social practice, blending humour and accessibility to create spaces that are playful, reflective, and community-driven. Their projects centre queer and disabled experiences as the norm, and from this place, everyone is welcome.
Recent works include Decay-Mart, House of Fast Fashun, and Wasteworlds (a collaboration with Snuff Puppets). The collective has presented at Sydney Festival, Re//Perth, Midsumma, Melbourne Fashion Festival, Geelong Design Week, South Side Festival, The National Wool Museum, plus more.
Fast Fashun are winners of the Artform Shaker Award at Melbourne Fringe 2025, have received multiple nominations from the Green Room Awards for Contemporary and Experimental Performance, and were finalists in the Midsumma Australia Post Art Award.
Their work has been described as “continually setting higher standards for live art and fashion” (The Fashion Advocate) and “fun, empowering and engaging” (The Guardian).
Photo by Rebekah Halls
